Jul 26

noisy-neighbors

There are nine people looking at the house next door. I don’t like any of them.

With my luck, it’s the harried-looking woman, the one dressed in pastel polyester. It would be OK to have a neighbor with angst, but this lady appears overwhelmed with classic dust-bowl fatalism. Here she is, after church, with Ma and Pa and Grandma and three kids, plus two calm-looking older folks making sweeping gestures like models on The Price is Right. Those two look like realtors.

The back yard is so small that the lady with a little kid in the crook of one arm is now standing in my yard. Great. Where are the rowdy neighbors in the alley when I need them? I’d love for one of them to pitch an oversize can of ‘Natural’ over the eight foot fence. If I had known there was going to be an “open house” I would have bought the folks in the alley a case of hootch at the gas station, just to make things lively.

Maybe I should run out there waving plans for a two-story garage that would block any sunlight from ever reaching any room in that house, Amen.

The widow lady who lived behind us for twenty one years–now there was a good neighbor– despite her yippy rodent and the occasional north wind that sucked smoke from her chimney into our family room. God bless her, she was nearly blind, so I could romp in the yard in any state of disarray or undress, plus she never listened to any music, especially ‘country’ or ‘gospel’ or (gulp) ‘white country gospel’.

That house is just the right size for one, or maybe two quiet adults, not a young family of four or five. It sits only about ten feet from my back door, since at one time it was the ‘carriage house’ for the place I’ve called home for the last two decades.

I don’t want to deal with a thirty-something divorced mother yelling at her three kids while I’m trying to weed the herb garden and listen to NPR. I don’t want her being friendly at the back door. I don’t want her asking my husband to ‘loan her a tool’, and I don’t want her ex showing up at odd hours providing vocal counterpoint to the already operatic pathos that plays out in the alley.

I fervently hope she goes somewhere else…now the adults are huddled just outside my window, and the kids are climbing my 115-year old decorative wrought iron fence (except the one in the tired lady’s arms, and I think I smell that one).

God, I hope she doesn’t have a dog. Every time I look at a dog I see an asterisk of an asshole, and envision its center dilating and depositing organic waste like a pasta extruder.

no-dog-shit

I’m in no mood for neighbors.

Jul 18

walter-cronkite-glasses

I am a little ‘sick in the head’ about Walter Cronkite’s passing. The literal translation of Cronkite in Yiddish, the most literal of languages, is ‘sickhead’. As a student of language, Walter had to know.

I became a sickhead for news thanks to Walter Cronkite, Chet Huntley and David Brinkley, and from my mom, who insisted on watching CBS and NBC news back-to-back every weeknight. Huntley was a Montana boy made good. All I can remember about David Brinkley is that he seemed to speak through clenched teeth and that he had excellent posture.

Cronkite was a curiously gutsy guy swallowed by a fleshy mustached sound box. He established the CBS tradition of the caring town crier; glee or grief didn’t have to be in the script: we felt privileged to witness the big fella fighting to maintain composure.

JFK had just visited Montana two months before his assassination; I might have only been seven years old, but I’ll never forget when Walter Cronkite took off his dark framed glasses just after telling us John F. Kennedy had died. I knew the world had changed forever: I saw it on Walter Cronkite’s face.

From Cronkite to Dan Rather to Katie Couric, CBS Evening News is still married to a simple, folksy style, for better or for worse. Network news audiences have gone from better to worse, losing an average of *one million viewers every year.

Cronkite’s competitor Chet Huntley died a few months after his return to Montana in 1974, David Brinkley died in 2003. With Cronkite’s passing Friday, network news, once a proud packed three-chimney steam liner, cast off its last anchor and is a dinghy adrift in international shipping lanes–perhaps with Comedy Central’s Jon Stewart at the helm.

The Anchor & Ship

The Anchor & Ship

Instead of 23 minutes of news that’s pre-digested, organized and delivered at dinnertime by middle aged white males, there’s an avalanche of fact and opinion, theory and perspective at our fingertips. The wonderful, awful thing is that news and opinion aren’t filtered, boxed and labeled any more. The wrapping changes the contents to suit the specific sickhead who opens the box.

Sometimes I long just to sit down with a Swanson TV Dinner and wait for Walter Cronkite to make sense of the world for me…but that’s just not the way it is today, Saturday June 18th, Two Thousand and Nine.

* http://www.stateofthemedia.org/2009/narrative_networktv_audience.php?media=6&cat=2

Jul 17

ambuehl-assher-bypass

(This post is published on the InStore magazine blog)

There has been a lively discussion on Polygon in the last week about the jewelry equivalent of a catalogue showroom.

There are certain stores in Canada where customers walk up to open displays, pick out a basic engagement ring–or two or three–and wander about unsupervised with 8mm rocks in designer settings. If they run out the door, I doubt if the sales clerk would even bother to chase them.

The rings are what’s known in the jewelry trade as ‘brass and glass’– base metal cubic zirconia examples of rings that can be customized with real gems and gold when an order is made. “Want that setting in rose gold, size 4 1/2 for pear shape? No problem. Come back in three weeks and it’s yours. That’ll be $4500 please. Ka ching!”

I see the tactical advantage of this, especially in slower economic times. Instead of investing in expensive “Cinderella Rings” that often live in a showroom for years, jewelers can order a basic style and make dozens of orders from a single base metal ring. The strategy also allows clients to browse without a nosy salesclerk. Imagine how far a semi-mount budget would go if a jeweler switched to brass and glass.

One of the jewelry industry’s most respected gurus is already helping several stores convert to this marketing strategy. You may be seeing brass and glass at a competitor or near you.

A couple of years ago, Overnight Mounting started to offer $20 brass and glass examples, so I delved in with a few hundred bucks. It was a dismal failure. Clients can get those rings off their fingers fast enough, and the more I thought about it, the more I realized it was not compatible with my business strategy.

First, I think it’s a mistake to mix fakes with the real McCoy. Customers expect the shopping experience, not a split personality. What’s real and what isn’t? Second, in a small town, you don’t want to sell too many versions of the same ring. Third, I think my attitude rubbed off on my clients: they could tell I just wasn’t that enthusiastic. Fourth, since I was leveraged and real goods and customers usually want things right away, I had little incentive to push the ersatz rings.
I can’t help thinking of a television ad for cellular networks where everything needs to go like clockwork. The stagehands kill the rain on command. The wedding planner locates the misplaced flowers, but suddenly the groom has cold feet. “Cue the stand-in groom!” A smiling substitute waits for the I-do’s.

I wonder if her two-carat ring was late, if that bride would accept brass & glass along with a cardboard groom.

Jul 11

amero-version-one

amero-version-two

Joe Rosetti owns a multimillion dollar company. He has impeccable taste in Western art and an impressive collection of motorcycles. He walks with a swagger and has played the markets for years. In the midst of tough times he built a new headquarters. Joe Rosetti is nobody’s fool.

I’ve been trying for months to convince Joe to put a small percentage of his net worth into some hard assets. I sent what I thought was a very convincing e-mail about using gold and silver as a hedge against possible inflationary times. I thought he’d understand the logic of holding a fistful of private tax-free assets.

Instead, I received a stinging response that gold bugs are basically idiots who are betting on the downfall of western civilization. A tax-free investment that goes from $400 to $900 in 5 to 7 years? So what. “Can that compare to a stock that I bought at $18 a share cashed out at $300 in 18 months?” he almost spit back at me.

I agree with Joe that gold might not be a good investment. And I’d rather not envision the unraveling of our economy, thanks. I just believe that a small amount of precious metals offsets a large portfolio of paper. I presented what I believe to be a logical argument, and Joe responded in kind. We had a simple disagreement, and I stopped trying to pitch him for a lousy 3% commission.

I was surprised when I got an e-mail from Joe recently asking about gold and silver. It was a short message. “I’m looking at precious metals. Now that I’ve seen this You Tube video, I understand the urgency of the situation.”

What did the You Tube guy say that finally swayed my client? After Joe ’s blistering response to my benign inquiry, it must be darn convincing.

It’s worse than convincing. It’s embarrassing. It’s frightening…and just plain weird.

The video, by a discredited Internet radio host, claimed that the US dollar faced extinction and imminent replacement by something he called the ‘Amero’. To prove this point, he claimed personal persecution by the U.S. government as he tapped a poorly made brownish coin on a desktop to prove it was real. “Do you see this tiny letter D?”he asked. “That proves this coin was secretly made by the Denver mint.”

Yeah, right. And the JLo swimsuit I wear means that my girls are as nice as hers.

It was odd that other YouTube videos visible on the website’s sidebar featured different versions of the same conspiracy, often showing entirely different coins. At least these conspirators should get together to decide what the damn thing looks like.
Hal Turner’s YouTube video claims the US government, Canada and Mexico have been conspiring behind everyone’s backs to dismantle currencies in favor of the North American version of the Euro, the Amero. This merger is the first step toward the US, Canada and Mexico erasing our borders: step one to a New World Order.

Can I Order fries with that?

According to Turner, there are 8 hundred million Ameros waiting in China, ostensibly waiting to offset some of our national debt. How were all these coins minted? On the night shift? Assuming each metal coin weighs 1 ounce, how were 27,428,571 tons trucked to waiting cargo ships and secretly loaded and transported, without a peep? Why on earth would a Chinese bank accept them? This insults the nation that invented the abacus (no worries, later Hal Turner insults Jews, too).

Turner forecast that by February 2009 (Note to Hal: revise ticking clock of fiscal doom), the U.S. Treasury secretary would de-monetize the dollar, making it worthless. Your savings, checking, IRA, stocks, bonds, retirement: poof. The commies who run the U.S., Canada, Mexico (and China) will take it away with the stroke of a pen. The only way Americans will get any value, perhaps two cents on the dollar, is if we line up at the bank with wheelbarrows of dollars to exchange for…you guessed it: Ameros.

This solution to our economic woes (explain again how that solves all our problems without creating bigger ones, please?) is aimed squarely at the working class, Turner extolls.

Even more incredible than the Amero is Turner’s advice to Americans. Not only should we buy gold and silver (duh!) but “more importantly, we should transfer whatever funds we have to FOREIGN BANKS and denominate them in British, French or Swiss funds.” Turner never mentions that these currencies are economically tied to the U.S. Dollar and they are also fiat currencies, not backed by precious metals. In an odd caveat, Turner says the Euro is a bad choice, “because it is not backed by anything.” (?)

It frightens me that rational arguments about hedging failed to convince Joe, a man I respect and admire, but a dangerously flawed home movie posted by a discredited reactionary did the trick. When sloppy slogans and scare tactics lure guys like Joe, we are poised for a worse fate than the Amero.

*I changed the name of my client to protect his privacy–his sanity is already in question.

Jul 10

book

1. It’s been said.
2. It’s been said better.
3. Need a Mac.
4. It’s more fulfilling to skip the writing and go straight to ‘having written’.
5. Someone might read it.
6. No one will read it.
7. Have not yet mastered artistic temperament.
8. Have mastered artistic temperament and no longer have the patience for creative endeavors.

Jul 05
Photo: Tormenting Roger at the Kitchen Table

Photo: Tormenting Roger at the Kitchen Table

He was eight when I told him that every bubble in a glass of milk turns into a burp when it’s swallowed. For months he speared the edges of his tumbler with a toothpick. On occasion I’d tell him he swallowed one—I saw it!—he would open his little mouth wide to force it out. If I put on a pouty face and said, “Too late,” he’d produce a pitifully entertaining wail.

“Stop that, Roger.” Our mom was too busy with her job and a passel of other kids to ask Roger why he poured so slowly and why, at every meal, he rolled his milk around the inside rim to pop every last opaque dome with a small wooden stick.

He looked so pathetically intent and I felt so powerful. I was ten.

Roger, the youngest of five, was neat and quiet and still somewhat gullible in the year after Dad died. I was next-to-last, an ‘also ran’ in the family race, noisy and messy and as selfish then as I am to this day. The first three kids, Win, Place and Show, had ribbons in their stalls. I was left to run wild and Roger brought up the rear.

I had to get back at Roger. He was cute. He was deviously well behaved. He was a Virgo.

He parted his hair on the left, tucked in his plaid cotton shirts, folded his Cub Scout uniform and never got in trouble. He actually filed his Halloween candy in a locked chest in his bedroom closet, and he had the discipline to eat two nasty cheap candies between each really tasty treat. In this way, he made his booty last until Christmas and my rancor last for decades.

I’d eat all the good stuff in the first two days, and regret throwing away Jolly Ranchers and Pez, especially when I wound up watching Roger relish a fun size Butterfinger after Thanksgiving (amazingly, without making a mess).

I used to ruin Roger’s entire day by moving the orange Wheaties box from the cabinet to the left below the sink to the cabinet on the right above the refrigerator. When he got married I shared this trick with his new bride: every new wife deserves a small arsenal of ways to make her man suffer.

Roger is a Virgo, born in the second week of September. As a grown up physician whose most mystical reading is a PDR, he looks at me, shrugs, and carefully backs away. I am a Cancer: I remember taking a PDR to step aerobics class, then going home and opening it randomly to see if there was anything in the three inch medical volume that might offer me some relief.

Sooner or later, if I come up with the cure for what ails me, I’ll call my brother and ask for a prescription.

Perhaps there’s something in there for Roger, too.

Jul 02
Stock Photo of Two Disc Set "Blood Diamond"

Originally published by InStore magazine, January 2007
(ED NOTE: We sent our correspondent, Great Falls, MT, jeweler Claire Baiz to watch Blood Diamond … not once, but
twice. We asked her to write about how the movie made her feel as a viewer and more importantly how she believes it
will impact her as a jeweler.)
DECEMBER 30, 1999THE DAY BEFORE THE WORLD ENDED
On December 30th, 1999 I was in my jewelry store backing up my hard drive, printing two loose-leaf notebooks full of appraisals just in case my computer went belly up with Y2K. I figured if the world went to hell in a hand basket, in the new hard-asset economy my customers might want offers on the family jewels. If that was the case, I would be ready to work under generator power if necessary.

“Bring it on,” I comforted myself by preparing for the worst.

My behavior is probably more typical of women and Montanans–and possibly Jews–which is why Jewish cowgirls like
me do well in a crisis. I tend to fixate, mentally playing out the worst possible scenario, just because I like to be pleasantly
surprised when the reality is not as awful as I had imagined.

The jewelry industry loves a crisis, especially before Christmas. We’ve endured December exposes on 60 Minutes and
20/20, the advent of commercial synthetics and fracture filling. Now we have to deal with a brutal portrayal of an issue
that we’ve dealt with for half a decade. Will Blood Diamond hurt the diamond trade in the U.S.? If you
held Martin Rapaport in a half-nelson he may admit that De Beers’ Supplier of Choice initiative is more of a challenge to
diamond dealers than this Hollywood movie — and the diamond industry did that to itself!

SUMMER 2006
GETTING PREPARED
I’ve missed two industry trade show presentations on “blood diamonds.”

Perhaps I don’t want to buy inventory and hear about conflict diamonds in the same afternoon, afraid it might feel like
ordering foie gras while lamenting the chained dog outside the restaurant.

This is a serious issue: As if Africa didn’t have enough problems, it has to squeeze conflict diamonds
between drought, AIDS and genocide. Who’d have imagined that my family’s livelihood would be touched by suffering
half a world away?

I’ve asked suppliers all the right questions. I have assurances and written statements. But I have a degree in
history and I understand paper is thin. As dealer statements renouncing conflict diamonds spit from my fax machine, I
sigh and hope they ring true.

In my 14 years of business, I’ve had only two customers inquire about conflict diamonds. I was ready for them and I plan
to be prepared for Blood Diamond.

THURSDAY, DECEMBER 7
HIGH ANXIETY
Sixty-five years ago today the Japanese bombed Pearl Harbor. Tomorrow, Hollywood might bomb my holiday diamond
sales.

In the last week there have been more than a hundred postings on the POLYGON network about the movie and the
issue of blood diamonds. It’s like getting our teeth cleaned. Even if we don’t think we need it, my instinct says it’s good
for us. We’re examining our industry, hearing from jewelers who have been to Africa, calling people to task and
questioning our suppliers and ourselves.

FRIDAY, DECEMBER 8OPENING DAY
No soft drink. No popcorn. No companion, no distraction. Blood Diamond opens across the nation and in Great Falls
today. I am in the theater to see the movie … twice.

There are only 11 people in the theater for the 1 p.m. matinee as an outline map of Africa appears on screen. Simple
sentences flash orange on black to introduce the story: The conflict rages in Sierra Leone in 1994; millions of Africans
who have suffered from the rebellions funded in part by the illicit gem trade have in fact, never even seen a diamond.
The implication in these first moments is that diamonds are the cause of war. My throat is dry. Maybe I should have
picked up a Pepsi at the concession stand.

The beautiful young boy in the simple hut has hope for a better future. His father the fisherman dreams of his son
becoming a doctor, but RUF (Revolutionary United Front) rebels predictably and brutally raid their village. Father is taken
off as slave labor for primitive alluvial mining, and son is abducted to serve the RUF.

I am grateful this happens early in the movie. I didn’t want to dread these moments for 40 minutes, better to get it over
with and deal with what’s next.

Director Edward Zwick instantly gives us the impression that random acts of brutality are served with supper in Sierra
Leone.

Flash from muddy squalor to a G8 meeting where an American diplomat is pointing out that illicit diamonds are funding
bloody civil war. It’s important to prohibit illegal rough, he says, before it merges invisibly with legitimate goods.
“Legitimate diamond mining supports burgeoning African economies.” In 1999, it’s stated that 15 percent of all diamonds
are illegally entering the pipeline.

The bland diplomat who bookends the movie brings up good points, even if it’s more of an Inconvenient Truth moment
spliced into the drama. It’s made clear that any substance of value means strife and violence in Africa: ivory, rubber,
gold, diamonds. And as two-thirds of the world’s market for diamonds, the U.S. needs to help exclude conflict diamonds
from the global marketplace.

Watching Blood Diamond is like watching a gruesome Grand Prix. Diamonds are not the cause of conflict in this movie —
they are the high-performance vehicles that allow vicious rebels to conscript and dismember innocent victims. Corrupt governments in turn attempt to regain control by funding armies bolstered by a big corrupt diamond distributor called Van De Kamp. Jockeying for position, funded in part by “blood diamonds,” the deadly race seems endless.

I’m beginning to see why the Diamond Promotion Service fought so long and hard in advance to mitigate the effects of
this movie. If Blood Diamond has a single villain, it’s the fictional Van De Kamp Company, which puts profits above all
else. Its executives publicly oppose conflict diamonds, yet turn a blind eye to atrocities and privately support whatever faction suits their needs. Ouch.

Diamonds are not rare, the movie reminds us, but to keep prices up, supply is controlled — and stored in a huge
underground vault in London.

The plot itself is convincing. The violence is raw but not patronizing. Leonardo DiCaprio does a fine job as Danny Archer,
who believes the purpose of escaping a brutal childhood is not to save others from your fate, but instead to profit from
the experience by trading in misery as an adult. Maddy Bowen, the feline-eyed magazine reporter, well-played by
Jennifer Connelly, is looking for names, dates, and a Pulitzer. She’s is supposed to be attracted to Archer, though I
couldn’t see much chemistry in the cliche dialogue.

The soul of the movie is Solomon Vendy, portrayed by Dijmon Hounsou, the fisherman whose family is torn apart by a
war and a diamond. If this character can be called primitive, it is only because he is closer to the source. Vendy, sparse of speech, is a one-man Greek chorus, reminding us what we will do for those we love.

Everyone’s worst enemy is the white Colonel Coetzee, played by Arnold Vosloo, who pulls his soldiers’ triggers in any
direction for a hefty percentage of the spoils. Archer owes this colonel money for a diamond deal gone bad: In return the
colonel will take the mythic blood diamond that he believes Vendy has hidden.

This movie is primarily about what happens when we make decisions based on greed, opportunism and hunger for
power. It’s about dehumanizing relationships that were once precious: family, country and tribe.

It’s about what happens when we give away guns — ultimately they are aimed at us.

Diamonds are the precious reality and the precious symbol here. Blood Diamond is a Hollywood version of John
Steinbeck’s The Pearl for the 21st century, with a real precious gem as the metaphor in both works.
With the increasing popularity of natural fancy color diamonds, the pursuit of the pink diamond in Blood Diamond may
have an unintended effect, actually increasing the mystique. After all, fancy color diamonds are the world’s most
concentrated form of wealth. Like I tell my customers, “When a despot is chasing you, you can’t carry your hut on your back. If you have a diamond you can at least grab it and run like crazy.” In war-torn Sierra Leone in 1999, where stock certificates might have been used to light fires, having a diamond may have killed you, or it may have set you free.

The film ends with a coda and a song. The coda flashes: “There are still over 200,000 child soldiers in Africa … Sierra
Leone is conflict free.” The rap tune “Diamonds From Sierra Leone” booms over the credits. Resist the urge to leave early. Listen.

SATURDAY, DECEMBER 9THE DAY AFTER
The true test of a movie is sleeping on it. Perhaps it’s because I think DPS overreacted
on its own behalf, Blood Diamond feels like a small blip on Santa’s radar. Perhaps it’s because I sat through two back-to-back premiere showings in my town of 55,000 people and only 27 people altogether watched it with me.

Regardless of the reasons, industry introspection is a good thing. I’m glad I pressured my suppliers into giving me their
documentation for conflict-free sources. I’m glad I can answer questions and offer options to
buyers. I appreciate the postings on POLYGON, the DPS e-mails and the firsthand accounts. I know our industry is
trying, and I know it’s not perfect.

As a jeweler, I’m dusting off my Y2K attitude and taking stock of my assets. First, my active trade in estate and antique
jewelry means that if bad stuff happened when these gems were mined and mounted, at least there is no one alive today
to complain. I am a mere 90-minute drive from Canada, which has been into “clean diamonds” for half a decade.
My advice to my fellow jewelers? Go see the movie. Print out the downloadable DPS consumer brochure from their website (DPS.org). Read it, comply with it, and keep it handy.